Showing posts with label western. Show all posts
Showing posts with label western. Show all posts

Monday, March 12, 2018

A Wild West allegory/fantasy

Unbury Carol

Josh Malerman

 

Del Rey

April 10, 2018

5 stars

 

Anyone who reads my review knows that I am heads over heels in love with the novels of Josh Malerman. You must believe me when I say I am not being paid to say that. He is that good. His first novel was Bird Box which is the type of horror novel veteran writers would give their non-dominant arm for. The second novel, Mad Black Wheel, is just as good. Now we have his third novel, Unbury Carol and, for reasons to be related soon, it is the most unusual of the three and the most exciting in many ways.

Carol Evers has a very rare condition. She can elapse into a coma at any time which can persist from 2 days to a week. it is so deep that even doctors mistake it for death. The only people alive who know about the condition is her ex-lover outlaw James Moxie and her husband Dwight Evers. When Carol falls into her coma this time, Dwight is prepared to tell all that Carol is dead. He intends to bury her alive in what he sees as the perfect murder. it is up to James to ride to her rescue, a task that will not be made easy since an arson loving hit man is also on his trail.

Unbury Carol is a departure for the author in several ways. Like his last two books, it has clear aspects of horror especially in the segments that depicts Carol's dream-like coma and some vague supernatural aspects. What is perceived as magic and what isn't is a regular theme in the book. But it also threads finely between horror, western, and suspense. The world depicted in the novel is very much that of a Wild West environment and the era of the late 19th century. Yet it isn't really stated as such. The region is essentially a closed system independent of any known references, consisting of two main towns, Carol's Harrows and James' Mackatoon, connected by a route simply known as the Trail. The rest of the towns on the Trail are little more than watering holes and traps of temptations for the traveler. There is a Pilgrim's Progress sense of allegory here. James Moxie is a lost soul haunted by his decision to leave Carol due to her illness. The Trail is his pilgrimage to save Carol and redeem himself. James find both villains and allies on this path but it is Smoke, one of the most evil bad guys I've read about in ages, that dominates the horror of the chase. While James races to get to Carol in time her husband, who is pretty despicable in his own way, attempts to fulfill his "perfect murder" plot despite a mortician and a lawman who senses something isn't right.

On top of all this, we also get an account of Carol's residence in her coma which she calls Howltown. These are the most horrific segments in the novel and probably the segments that will scare most people. Being caught in a coma is terrifying enough but to know you have full conscience and helplessly waiting to wake up six feet under is the stuff most people would rather not think about. Carol's Howltown though, has its own dreads to pile on top of Carol's very real fear of premature burial.

Under a less skillful writer, and presuming it was written as a straight Western genre novel, it still would have been an intriguing idea. But there is something about Malerman's setting and how he employs it that sends it into pure wonder. The author's Wild West world is a fantasy world of his own. There is no real life references to where it is or even to the actual time frame. Most of the action in the novel could be explained by our real world environment but there are hints and actions that tip us off to that not being the case. This hedging of realities gives this novel an uniqueness that I believe most writers would have trouble pulling off. Malerman doesn't just pull it off but shoots it with all barrels out of the park. The other great strength of the book is its characters. The four main character, being Carol, Dwight, James, and Smoke are also incredibly strong and three dimensional. But even the more minor players such as Sheriff Opal, The mortician Manders and an especially hyper but marginally moral Rinaldo becomes essential in this impossible to put down fable.

I use "allegory" and "fable" intentionally for this is what really stays with me. It's about correcting past mistakes and redeeming ones' self and the consequences of ignoring both. It is based on a vaguely familiar world but filled with the type of actions similar to those we have made, regretted and wish to amend. it is also filled with those less admirable character who made evil decisions and are unable or unwilling to recognize them or correct them. Unbury Carol works on so many levels it's almost ridiculous. it can be scary as hell, It is a story of love and redemption, and it is a vastly entertaining western action saga. And this is where those "reasons to be related soon" comes into account. Where Bird Box and Mad Black Wheel were superb horror novels by a creative writer, Unbury Carol shows that he can be unlimited in where his imagination takes him and he can turn what would be a good but conventional idea into something that aggressively gnaws at your imagination.. The idea of Josh Malerman let loose in the literature world is most exhilarating and pleasantly terrifying by itself.

Tuesday, January 26, 2016

A demonic western

Hell's Bounty

By Joe R. Lansdale & John L. Lansdale


Publisher: Subterranean Press

Pub: February 29, 2016

Rating: 3 & 1/2 out of 5 stars



I like my westerns weird. Zombie action. Deals with devils. Silver bullets. Demon horses. Hell's Bounty has all of that and then some. This supernatural yarn by the Lansdale brothers reads like a whirlwind of bullets and brimstone. It is a delightful menage of pulp western and Weird Tales horror that is over too quickly and begs for a re-read.It is also a sugary supernatural confection for the mind with about the same lack of nutrients, but let's face it. Man cannot live on prime rib and artichokes alone.

Smith is a bounty hunter and not a very nice person to put it mildly. He is in the town of Falling Rock to apprehend a criminal dead or alive. While he gets his man, dead, a run-in with a vicious hombre named Trumbo Quill and a miscalculation over the length of a dynamite fuse sends him straight to Hell. However, Hell's bartender Snappy (guess who?) has a deal for him. Smith is to return to Falling Rock and take on Quill who has now been possessed by the demon Zelzarda and is planning to let loose The Ancient Ones on unsuspecting Earth. It appears even God and the devil are no match for Lovecraftian evils.

Smith is sent back to Earth, now a year after his death. The rest becomes the grit in the tale with Smith teaming up with the survivors of Falling Rock and a few helpers from the underworld. Quill is the now demonic heavy who is guarded by smart-ass ghouls. It is pretty much non-stop action but the Brothers Lansdale occasionally slows it down to reveal a story of personal growth and redemption. After no anti-hero is worth his weight in silver if the hero part doesn't tip the scale at least a little bit.

This short novel screams pulp and Joe R. Lansdale is probably the most pulp oriented of the contemporary writers of horror, mystery and western. He has been delving into western quite a bit lately and this one takes me back to one of his first supernatural westerns, Dead in the West. It is both a throw-back and an improvement with colorful descriptions and sharp witty dialog that moves the story like a hellbound train. Yet even with the clear redemption angle, it something feel too pulp. His latest western oriented novels, noticeably The Thicket and Paradise Sky, are some of his best work with themes to rival the dense literary canons. Lansdale is at his peak. Yet Hell's Bounty feels a little like a pit stop, a fun excursion in the pits of Western BBQ Hell. But it is a hell of a lot of fun. So that is how I recommend you read it, like a roller coaster ride before the main event. Pulp Lansdale is great. Lansdale at the peak of his career with a message among the fun and horror is greater. Even with the redemption theme, the most message you will get from Hell's Bounty is don't go to Hell and carry a lot of silver. So enjoy Hell's Bounty, but think of it as an appetizer before the vast bounties of the Landsdale universe to come. Three and a half stars.







Wednesday, July 1, 2015

An Epic tale of justice and revenge.

Paradise Sky

By Joe R. Lansdale


Publisher: Mulholland Books

Pub. Date: June 16, 2015

Rating: 5 out of 5 stars



Joe R. Lansdale has shown throughout his illustrious career to be an accomplished writer in many genres. Longtime admirers like myself know him primarily in the horror and thriller genres in which he wrote extensively when I discovered him in the 80s. But even then he wrote a few westerns, most noticeably The Magic Wagon and the before-its-time zombie Western, Dead in the West. Lately though, he seems to be focusing on Westerns again. His last novel, The Thicket, was a True Grit style tale of Western revenge and justice. It is also one of his best. But Lansdale has upped the ante, so to speak, with his newest novel, Paradise Sky. This new book carries similar themes yet goes beyond them and becomes a true epic of the West.

Paradise Sky is a very fictional account of an actual historical figure: a black cowboy and sharpshooter named Nat Love who was later nicknamed Deadwood Dick after winning a shooting contest in Deadwood City. In Lansdale's meticulous storytelling style, Nat was originally named Willie and was forced on the run in the Post Civil War South for glancing at a white woman's posterior. As Nat puts it, "I will admit to a bit of true curiosity as to how that backside of hers was far more attractive than the front, but I wasn't about no mischief of any kind." The enraged husband murders Willie's father and vows to hunt him down. Willie takes refuge with a man by the name of William Loving who teaches him to ride and to shoot among other helpful things. But soon Willie is forced to go on the run again and takes on the name of Nat Love as he journeys into the West.

Paradise Sky is full of daring deeds and momentous discoveries and it is best for the reader to discover them on his own. It is sufficient to say that the pursuit for Nat Love never stops and our hero is eventually forced to face his pursuers in a act of justice and revenge. If the author wrote a simple revenge tale it still would have been memorable. However, Paradise Sky is a tableau of Western mythology with legends like Wild Bill Hickok and Bass Reeves being peppered in to provide color and authenticity. But Nat Love is the focus of the story and it is his struggles against injustice and the ever prevailing aura of racism that makes this book so alive. Lansdale has always had a keen sense of American history and the prevalence of racial conflicts in America, That is certainly true here. Couple that with his endless gift for incredibly witty and real sounding dialog and it makes for a invigorating read that entertains but doesn't sugarcoat our history.

Lansdale often writes about his East Texas surroundings and, because of that, some might call him a regionalist. Yet it is books like Paradise Sky that belies that idea. Taking place in a range from Texas to South Dakota and over a span of years, Paradise Sky is a true American Western epic of a novel written by one that can merge the romanticism of the West with a socially honest and sometimes brutal realism. Whether writing about present day East Texas, the Depression, or the 19th century frontier, Lansdale manages to not only tell us a riveting story but confronts us with truths about our own interactions and the way we treat others.