Time after time

Time Travel

By James Gleick

Publisher: Pantheon

Pub. Date: September 27, 2016

Rating: 4 out of 5 stars

James Gleick starts off with a bombshell. One we should all already know but we don't want to admit. Time travel is impossible. At least the two-way type that we would all like to do. He does mention "time travel" as implied in speed of light travel but that isn't really time travel is it? That's more like a suspended animation that you stay awake for. . It is a Rip Van Winkle effect proven by experiments with atomic clocks. But the touristy version of time travel to the past and forward and back again? Fascinating. Tempting, However the sad fact is science and physics fights against the idea of that being a reality.

So why write a book of time travel, especially a history of time travel? Because the concept is so embedded in our brain that it pretty much affects everything in our modern world. It is in our literature, our media, and even in physics as it grapple with the paradoxes set forward in the many thought exercises that time travel gives us. After all, If quantum physics isn't an exercise in the paradoxes of our reality, what is?

Gleick starts his history with H. G. Wells and his novel The Time Machine. Pretty much everything we accept about the idea, including the idea of time as a fourth dimension, comes from Wells. From there he explores several ideas that continue to rise from the literature to come and how Physics chugs along right with them. Time Travel is basically a series of meanderings. It feels more like a continuing mind game, despite its chronological pattern, rather than a history of anything. That may offset a few people that want something really about time travel but for others, like myself, it is an almost poetic if challenging way to look at our perceptions. This is the kind of book more understood at a chapter at a time so you can absorb its idea. Definitely not a light read, it is still one that entertains while informing. If you like the topic, this is a must.

Movies that never were

Neon Trash: Forgotten B-Movies of the '80s

By MP Johnson

Publisher: WeirdPunk Books

Pub. Date: October 5, 2016

Rating: 3 out of 5 stars

I'm not exactly sure what M. P. Johnson is doing here but it is lots of fun watching her do it. The subtitle "Forgotten B-Movies of the 80" says it all. Neon Trash is a love story to those films that no one has seen and most people won't even try to. Fortunately there are a few people out there, like the author and myself, that lives for this stuff. Johnson in the first article, makes a case for loving B-movies (let's be frank. Most of 80s DIY movies are really D-movies) but makes a better case for reading the capsule reviews of the films that she will proceed to mention. She follows up with synopses of 52 films, none that I have ever heard of. That is actually quite a feat. These capsule reviews are quite fun. This is followed with interviews by actors and makers of these films. Again, none I have ever heard of. Hmmm. She pays particular attention to a movie titled Neon Meltoids of which I could find no mention of on the internet. It must be very obscu...wait a minute. None of these movies can be found on the internet! Am I being screwed with?

OK. Mrs. Johnson. You had your fun. I almost fell for it! Even as the humor it is, it is still a nice salute to the 80's B-Movie era. I must say the best chapter in this book is "Trash Tape Quest: My Hunt for Neon Meltoids". It is hilarious!

So how does one rate something like this? It is very weird. It is very funny. It is very short. It is a merry prank in print. Let's just call it a delicious fart and leave it at that!

The best novels of 2016

Here is my list of  top ten novels of 2016.in order of preference. I also added various other bests under the list.

1. THE HEAVENLY TABLE - Donald Ray Pollock

2. DARK MATTER - Blake Crouch

3. MONGRELS - Stephen Graham Jones

4. BEFORE THE FALL - Noah Hawley

5. THE VIOLATORS - Vincenzo Bilof

6. A HOUSE AT THE BOTTOM OF A LAKE - Josh Malerman

7. DEAD SOULS - J. Lincoln Fenn

8. PUNK ROCK GHOST STORY - David Agranoff

9. DISAPPEARANCE AT DEVIL'S ROCK - Paul Tremblay

10. SQUIRM WITH ME - Andersen Prunty

Now the best of the rest.

Best single author anthology (tie)

THE DOLL MAKER AND OTHER TALES OF TERROR - Joyce Carol Oates

ECSTATIC INFERNO - Autumn Christian

Best multiple author collection

TALES AND SCALES - edited by John Palisano

Best YA Novel

THE GREATEST ZOMBIE MOVIE EVER - Jeff Strand

Best novel of 2015 read in 2016

ZERO SAINTS - Gabino Iglesias

Best WTF! Novel (besides the already mentioned THE VIOLATORS)

VAMPIRE GUTS IN NUKE TOWN - Kevin Strange

Best non-fiction

TIME TRAVEL - James Gleick

Best Poetry book

RHYME & REBELLION - Harry Whitewolf

Best journal/magazine

DARK DISCOVERIES

And finally some honorable mentions which means I am distraught because I couldn't put more than 10 books on a top ten list. No particular order (this just happens to complete all the 2016 novels I gave five stars to.)

THE ONE MAN - Andrew Gross

BLISTER - Jeff Strand

LONG FORM RELIGIOUS PORN - Laura Lee Bahr

I WILL ROT WITHOUT YOU - Danger Slater

THE POISON ARTIST - Jonathan Moore

Punk never dies

Punk Rock Ghost Story

By David Agranoff

Publisher: Deadite Press 

Pub Date: September 23, 2016

Rating: 5 out of 5 stars

 

I like books that evoke an era. I like horror novels. David Agranoff does both quite well at the same time. He likes to write about the punk rock era of the 80s and beyond. He does it very well. Other authors may incorporate punk rock in their fiction but Agranoff does it with a wistfulness coupled with a realism that our memories of an era can be more harmful than helpful if we don't recognize the realities of today. It is not that different than the struggles I had in the sixties and onward with the "hippie" movement. Both evokes memories and conflicts that are ripe for exploration in literature, even horror.

Punk Rock Ghost Story (PRGS)seems to be about that struggle. As we begin the novel, Frank and his punk rock group The Fuckers are touring across the country in 1982 dreaming of a possible concert with Black Flag once they reach Los Angeles. The tour is a disaster and just out of Houston, the band members decide they want to return home to Indiana. Frank forces them to continue and seems to be on the verge of an unreasonable and violent obsession.

Fast forward to 2006. Nate and his band People's Uprising is about to go on tour. They are a struggling punk band in Indiana that dreams of breaking out of the locals and into more renown with their tour. Nate loves the punk scene but wonders if it has lost something from its start in the 80s. While looking for a tour van, he stumbles across a beat up van that was used for the Fuckers' last legendary tour where Frank disappeared and was never seen again. People's Uprising goes on tour but the van has a hold on Nate as he listens to eerie voices and visions while the rest of the band becomes concerned with his memory losses and personality changes.

So now we have a ghost story coupled with a mystery. Is the van haunted,? What happened to Frank on his last tour? What is happening to Nate? Everything is eventually revealed but not without a number of scares and some violence. As a ghost story, PRGS is very successful and kept me enthralled with the mystery and strangeness of the tale. But what really makes it memorable is Agranoff's blending of time and culture. Punk in the 80s was indeed a golden time. But it was not the nirvana that memories may make it. Reality never is. Outside the cities, punk were subjected to suspicion and often violence. They were misunderstood as anything unusual or new is often misunderstood. Frank's anger became part of that and, with Nate, the van recognizes a similar anger and longing and exploits that. The author's evoking of the punk culture seems real in both its contemporary and 80s incarnations. I am not sure it is a coming of age story or a returning to another age story and I like that. Nate's relationship to band member and girl friend Erika is also a central part of the plot and become essential to how it plays out.

It is said that writers should write about what they know and Agranoff certainly knows his punk rock culture. But there is more than that. He is able to communicate beyond the punk rockers and make that scene a reality for those who do not identify with it. He may write in the horror genre but the theme goes well beyond just the scares and that is why we should read his works. He is still in his prime so we can expect more like this. That is definitely a good thing.

Nessie attacks!

Loch Ness Revenge

 By Hunter Shea

 

Publisher:  Severed Press

Pub Date: November 1, 2016

Rating: 3 & 1/2 out of 5 stars

Natalie, her twin brother Austin and her parents were vacationing at Loch Ness, Scotland 20 years ago. One night while camping and roasting marshmallows, Natalie and Austin heard a splash of water followed by screams. When they arrived at the shore, they see a creature in the water killing her parents. Forward wind to the present. Natalie is now camped out on that very shore trying to prove the existence of the Loch Ness Monster.

And kill it.

OK. Now that kind of bugged me right there. I grew up on stories of Nessie. The Loch Ness Monster for all intent and purpose is Scotland's mascot. The only death ever blamed on Nessie was in 1952 when a water ripple from the big oaf was said to called a speedboat crash. Nessie didn't stick around to swap insurances. Nessie must be the most beloved figure of monster lore on the planet. So the idea of the water seprent as a vicious man-eater took a little work to sink in.

Fortunately, Hunter Shea is a bit of an expert on monsters. They seem to be his specialty with at least his last two books taking on other known legends of crypto-zoology. The challenge in Loch Ness Revenge is to set up his future monster killer with a past that lets us in on her suffering and obsession. If you are going to kill a beloved icon, you better have a good reason. But this is a short novella that means we need to get to the chase quickly. So once the protagonist is set, we are introduced to her twin brother and a couple of colorful sidekicks and we're off!

Then there is the monster. Shea has its own version of the Loch Ness Monster. We are given glimpses of it as Natalie seeks it out and the author reveals more as the hunt escalates. As the novel proceeds, we get a few surprises and lots of action right to the final showdown.

So how does the whole thing work? It is not nearly as complex as Shea's previous novels which makes sense because it is much shorter at less than 150 pages. There may be a few too many incidents that seem to be borrowed from Jaws. However it works because it is fun. If it doesn't stretch your mind, that's OK. It is an amusing read with enough thrills to keep the reader satisfied. And I wouldn't lose too much sleep over the scary creature that Mr. Shea has conjured up from his mind. I am sure that Nessie is simply a sweet, if huge, eel-like critter that loves to float on the lake and wake at the tourists. We all must have our fantasies.

Mental unease

Madhouse

Edited by Brad C. Hodson & Benjamin Kane Ethridge

Publisher: Dark Regions Press

Pub Date: May 22, 2016

Rating: 2 out of 5 stars

I kept thinking of a cinematic comparison while reading Madhouse. There was a movie in the 70s called Asylum. It had a screenplay by Robert Bloch and featured a number of stories set in the confines of a mental institution. There was also a framing story that very loosely tied all the others together. It is one of the better horror anthology movies that you will find.

Madhouse is a little like that. It also has a connecting framing story about the patients and staff who are isolated in an Arizona mental facility during a sandstorm. These "chapters" as they are called, are written by the editors Brad C Hodson and Benjamin Kane Ethridge. Between these chapters are 20 pieces of short fiction contributed by a number of horror and fantasy writers including John Skipp, Scott Nicholson, Lisa Morton, Rena Mason, Jeff Strand and others. As I understand it, all the authors were given a layout of the fictional Golden Canyon Behavioral Health Center to keep the stories consistent with the shared world environment. Whether they knew of the on-going narration before they wrote their stories is unknown to me. However the characters in the chapters do show up in the stories and there seem to be some consistency with characters as well as the confines of the center.

That part about how much the author worked within the confines of the connecting narration is what troubles me. I think they knew little beyond the bare basics because, for the most part, it feels like a jumble. That makes it confusing to follow. Because of this, no one story stands out and makes the collection work. There are some very good tales here. I especially like those by John Palisano, John Skipp., and Jeff Strand. Not so much the chapters by Hodgson and Ethridge which is unfortunate because that is the thread that supposedly binds them together. The full sum of the parts just didn't work for me.

What does work is the overall design of the book and the illustrations that accompany the collection. Dark Regions Press has a stellar reputation for the design and appearance of their publications and Madhouse does not disappoint in this area. There are lots of gorgeous and creepy illustrations from Aeron Alfrey that are worth the price of the admission alone and they do add a great bit of atmosphere to the accompanying stories.

But it doesn't really gel together in the literary department despite the quality of writing. It's a noble experiment but, as a screenwriter and sometimes critic friend of mine would say, "It's a interesting failure."

Another novella diversion with Hap and Leonard

Coco Butternut

By Joe R. Lansdale

Publisher: Subterranean Press

Pub date: January 31, 2017

Rating: 3 out of 5 stars

 

The saga of Hap and Leonard continues with this barely-a-novella, Coco Butternut. In case you are wondering, Coco Butternut is a dead dachshund. Its body has been dug up and held for ransom to be paid by the previous owner of the dog. To be more precise, the son of the previous owner who was his deceased mother. It seems like a simple task for the lads; pay the ransom and collect the coffin and the canine "pickled"corpse ("Embalmed and wrapped like a mummy..Not pickled" says the dog owner's son Farmer to Leonard). But something doesn't seem right and when they complete the deal, it becomes obvious to them why it doesn't seen right...

As far as Hap and Leonard stories go, this is a barely inconsequential one. I am tempted to call it my least favorite book but my least favorite Lansdale work is still better than 90% of other writer's best works. It is short, sweet and simple...and doesn't really give us any new insight to the duo and their extended family. We now have Chance, Hap's daughter, in the gang but nothing is really added here except maybe that Chance is spending too much time around Leonard and picking up a little attitude. There is nothing amiss with the story either, except we really do not learn much of what happened after Hap's flirtation with death in the last substantial novel, Honky Tonk Samurai. I think we may need to wait for the next substantial novel, Rusty Puppy for the details.

Basically, the Hap and Leonard novellas that has recently bridged the gap between novels are diversions. They are entertaining and well written as is anything Lansdale puts to paper. But they are not essential. This one may be the least essential of them all. It still merits three stars. I love this series and can't even think of rewarding it less but I really hope no Hap and Leonard novice starts with this book. That would be dismaying.