Edited by Ross E. Lockhart
Word Horde
October 24, 2017
3 stars

"What do you mean you don't believe in ghosts? You read horror books!"
I
get that a lot. It is surprising how many people think that because you
love a literary genre titled horror you must believe in all the things
between the pages. Ghosts, Demons, anything supernatural. I used to
reply. "If you like to read Tolkien. do you believe Hobbits are real?"
but I got tired of the blank looks. No, I do not believe in the
supernatural. I believe in the preternatural. For me, Horror is not
about understanding the supernatural but understanding ourselves and the
fear and doubts that bind us.
And if one more person says, "I
like horrors books too. Especially true ones like The Amnityville
Horror" I'm going full Jody on them.
Now to the review...
Full
discloser. I have never used a Ouji board, either by myself or with
others and probably never will. First of all, if you know they are not
real, they are kind of boring. Second, while it is not real. our
imaginations are and I do believe believing something is happening when
it isn't affect us and not always positively.
But Ouji boards are
part and parcel to many plots of horror stories. They are the
conventional gateway to the spirit world for many residents who live
between the pages of a horror novel.
Tales from a Talking Board
edited by Ross E. Lockhart consists of 14 pieces of short fiction
covering the board but isn't limited to it. Some of the stories involve
seances, divination, tarot cards among other things. But they all have
to do with conversing with the spirits in one way or another.
There
are some good stories here but none that really blow me other into the
other dimension. All the authors are skillful but not all caught me up
in their story. This is not to say it isn't quite entertaining. it is.
Interestingly I wanted more stories actually about Ouji Boards and I
found those that kept to the traditional the most satisfying. On the
other hand, I did appreciate how many of the writers seem to be looking
for something new to say about this tried and true warhorse.
Of
the stories, I especially liked the early 20th century vaudeville
setting of "Wegee Weegee, Tell Me Do" by Anya Martin. It captures the
early days of the Ouji board craze with a feminist twist. "Spin the
Throttle" by David James Keaton tells us we can have the frights of the
board without the board. But the one that made my hairs stand on end was
Tiffany Scandal's "Grief"which is about as straight a horror story you
will find here.
There were others that stood out. Nathan Carson's
"When the Evil Days Come Not" is part mystery, part horror and very
different. Nadia Bulkin's "May You live in Interesting Times" is a much
needed look at the subject from another culture. Finally for this short
and incomplete survey, "Questions and Answers" by David Templeton is a
humorous look at the Ouji while giving us a glimpse on what is happening
n the other side.
There are eight other tales or varying quality
but the above six stands out. As with many anthologies there is the
usual unevenness but certainly there is enough to entertain. This
collection would appeals mostly to those who either have an interest in
Ouji boards or just likes tales about communication with the dearly
departed. It's a good if not exceptional collection.